Buffy Summers has the lifestyle any young woman could want. Cheerleading, dating the captain of the basketball team, and copious amounts of time spent shopping with friends. She had no idea of her true calling until a mysterious man named Merrick approached her and told her that she is the Slayer; one woman called to defend the world from vampires. Reluctant to concede to the fact, Buffy soon learns that Merrick speaks the truth and so begins to take her new life seriously while trying to maintain the sense of normality her life had once been. With her best friends slowly abandoning her, Buffy finds solace in the town outcast, Pike, who knows very well the terrors that have arisen. Together, they combat the forces of the old and powerful vampire, Lothos, who has his eyes set on Buffy.
Buffy thinks very highly of her keen fashion-sense. In fact, fashion, cheerleading, movies and parties are all she ever thinks about. Then one day, Merrick approaches her; telling her she has a specific mission in life - killing vampires. What good is her "keen fashion-sense" in her new daily tasks?
Okay, so it's not Shakespeare, and it definitely doesn't have the bite of the TV show. But I still love this movie. It's fun, and while it doesn't have the dark humour of the series, it's good light humour. "The world is under attack by legions of the undead, and you're going to a mixer!"
This movie is basically a single joke from a single concept: imagine a ditsy cheerleader fighting the minions of the underworld! It might have made a great 15-minute short (maybe), but as an entire feature, the concept alone couldn&#39;t carry it. And then once it got to committee, any hope was lost.<br/><br/>No, instead of being the airhead she should&#39;ve been to fit the concept, utterly generic heroic (i.e., male) qualities were forced on the main character that couldn&#39;t support them. Not only did this add nothing, it made the male lead entirely lost and disposable. No character was developed beyond the minimum necessary (if that), with only Reubens being able to get a few laughs by shamelessly overacting with a character that had no business doing so. It was as if he was as bored as the audience was and just trying to entertain the otherwise somnambulant crew.<br/><br/>Don&#39;t be fooled into thinking this is the initial form of the TV show and it&#39;ll add anything to it - this was a pitch, a raw idea. It needed more work, more time, and maybe some uppers for everyone involved.<br/><br/>Not horrible, just not worth the time to see (or remember).
Buffy isn't heinous, just disposable. As a friend tells Buffy while she eyes a fashion purchase, "It's so five minutes ago."
In the film Buffy is a senior, while she is a sophomore by the start of the TV series. She lives with a neglectful mother while in the show, her mother is thoughtful and careful even though Buffy becomes the distant one, due to her Slayer routine (Joyce comments in the series that she&#39;s not the &#39;social butterfly I used to be&#39;).<br/><br/>In the movie vampires can fly or at very least levitate, don&#39;t transform into &#39;vamp-face&#39; and they don&#39;t &#39;dust&#39; when killed as they do in the TV series (the special effects simply didn&#39;t exist yet). In the movie Buffy&#39;s vamp-sense is more pronounced whilst in the series she largely relies on her &#39;keen fashion sense&#39; perhaps it is more intense shortly after a Slayer inherits her powers. There is no indication that Faith, Kendra or any of the other Slayers we meet have the Slayer birthmark Merrick refers to. Merrick refers to himself constantly being reincarnated, if so this appears to be something unique to him as in the series being a Watcher is a family tradition. The movie is much more overtly Christian than the series with Buffy declaring &#39;I am his (Christ&#39;s) sword&#39;, possibly a scene rewritten by Donald Sutherland given Joss Whedon&#39;s self-professed atheism. No, she just experiences the past memories of the other Slayers who came before her in first person, seeing their experiences through her eyes. According to the Buffy]/i] comics he and Buffy split up in Vegas, as he fears he will endanger her if she has to be constantly worrying about his safety rather than concentrating on Slaying. He makes a return several issues later, for the &quot;Note from the Underground&quot; uncanonical story arc set between seasons Six and Seven. He comes to Sunnydale and rescues a felled Buffy from a horde of demons, which makes clear for him that, in addition to vampires, such creatures also exist.<br/><br/>This comics, however, are not considered canon and Pike is never mentioned throughout the television series. The Buffy episode &quot;Normal Again&quot; suggests that Buffy Summers is a schizophrenic in a mental hospital and her being the Slayer is simply a hallucination caused by her illness. This means that her delusion starts during the Buffy movie when she first meets Merrick and ends with the last scene of the TV series where she destroys Sunnydale, defeats her &#39;demons&#39;, triumphs over the ultimate evil (symbolicaly represented by herself) and is told from now on she must &#39;live like an ordinary person&#39;, Buffy regaining her sanity once more after 7 years, still only 23. <br/><br/>Another theory is that both Asylum Buffy and Sunnydale Buffy are real and have some sort of psychic link across the dimensions which drives Asylum Buffy crazy. After the end of the TV series Buffy is only one of thousands of Slayers so her calling no longer dominates her life, allowing Asylum Buffy to regain her sanity in her early 20s and for both to live a more or less ordinary existence.
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